Black background images are all the rage right now, and it’s easy to see why. So simple in their essence, they are a study of the horse as a form with an extra dash of drama.Any photographer worth their salt will tell you that the best way to do these images is in camera, and I completely agree. They mostly require a center aisle that allows light to be blocked in such a way that you achieve a distinctive difference between light and dark (shadow and well, not shadowed). Even better if either the aisle then is a very long one, or has doors at the opposite end that prevents light from seeping into the background. This is less commonly available, so is a nice-to-have rather than a necessary component.
So at the risk of ruining the magic, here are a couple examples of what I see in-camera versus the final product.
In this photo, and the image below, you can see a frequent participant in my photoshoots: a giant blue squeaky toy. Sometimes the horses could care less when something so bright and blue and loud is seemingly dying beneath their nose. Other times, you get what I call the dragon pose, where the horse elongates and arches his neck and there becomes a definite spark to their overall expression. That, as Cinderella demonstrates below, is my favorite way to show off these horses as the athletes they are.
As you can see, there is a variance in how much editing a particular shot will require. My job when I show up to do one of these images is to utilize the given environment to the best of my ability, then consider the horse/model’s best features and how to pose them and show them off. Then, it’s about reading the light, making the right decisions for settings on my camera, and spending time in post-processing (I use both lightroom and photoshop) to create the final image.
And there you have it folks! A peek behind the curtain on the ever-popular black background photo! Happy Friday all!